You might be right to think that a ska song about Ms. Harshwhinny and Pacific Glow is a crackpot idea. But what is crazy is that it actually really works! The ’80s-sounding two-tone has a classy vibe, and Pacific Glow (the rave pony from The Saddle Row Review) looking up at Ms. Harshwhinny’s big city business would be at home Broadway performance, i.e. perfect for the Limelight theme of the recent Ponies At Dawn.
SpinScissor has teamed up with 10 other artists to deliver an incredibly poignant song inspired by the Cupcakes alternate universe comics by SinfulPie. The track excels at taking a variety of negative emotions like grief, denial, and confusion, and translating them into song. Its lyrics like “you’re terrified it’s true” and “why would you do this to me” capture these emotions perfectly, but the music’s heart-beat like, pulsating trance energy also does the subject matter justice. It’s a haunting track for a haunting narrative, pulled off with expert execution, well done!
Landing on the Ponies at Dawn Limelight album in May, this collaboration between SP1TF1R3 and Dropper Vampire is electrifying to say the least! The track is inspired by the events of S7:E10, A Royal Problem, and it cleverly inserts dialogue from the episode as the track progresses. It makes use of contrasting sections—some feature huge synths with the fiery energy of Daybreaker and intensity of Nightmare Moon, while the others build up to it with the haunting feel of choir-like pads, making a completely riveting journey you won’t want to skip!
Foozogz shows his snoot every once in a while these days, and he always delivers. On this latest release he tries something new, and combines his punchy electronic melodies with RhymeFlow’s bars. The track is about missing out on a pony convention while all your friends are having a blast, so it’s best to sit back and raise a glass to all the good times past and still to come.
Nyanakaru is back with a new project, “DEEP FEAR”, the second part of their previous album, “Methodic Ways To Break a Mind.” Devil’s Food is the first track released from DEEP FEAR, mixing the nostalgic pop-punk of 2011 and heavy metalcore elements, the grim lyrics contrast against the levity of the Nyan Cat-like melodies and bouncing bass throughout much of the song. Nyanakaru also put together a great lyric video to go with the song, so go give it a watch!
There are monsters nearby. Radiarc brings us a beautiful soundscape rife with piano, strings, and rich woodwinds, with driving percussion that push us forward. They paint the picture of golden fields, rife with beasts, yet replete with beauty. It’s a dangerous land, yet one that must be traversed, no matter the risk. Yet, at the end, you can look back on those fields and find a love for the journey.
Almost 7 years since the release of the original, El Nuevo has picked up one of the most famous tracks of this fandom and gave it his very own sound! The cover is inspired by the style of Andrew W.K. and is infused with the sound of El Nulevoe (plus a quick stream clip from PrinceWhateverer), and the end result sounds fantastic! Definitely give this lovely cover a listen!
VioletWire’s sleep is an exciting trip through the sounds of both house and synthwave, clocking in at just over 7 Minutes this track has a lot of time to build and uses it to its fullest! Featuring everything from exciting synths and fun beats along a whole range of over sounds, this track never gets boring and even on repeat listens you’ll be able to hear new and fresh sounds!
Pony therapy is a fantastic stage musical style work by the collaboration of BlueBrony and Mathematic Pony. This number is extremely fun and a great break from the woes of this weary time, with its wonderful barbershop-quartet like tune about “just one thing” which everypony needs: “It’s pony Ther-a-py!”
This duo of talented musicians brings to the table a beautifully crafted track about one of the strongest ponies in Equestria: Rockhoof. The song explores, as described by Anamore, “the struggle to adapt in the modern world after spending 1000 years in the limbo.” It feels like a sequel to her previous track “Turn Me to Stone”, delving once more into themes of misplacement and doubt in today’s world. With a stellar performance from the talented Flitterkriz, the song’s lyrics are filled with a longing melancholy that hits on such a deep emotional level it’s hard to put into words, but unmistakably felt in every note of the lullaby-like melody that forms the track’s foundation. The contrast between the verses, which slowly build in intensity throughout the song, and the larger-than-life orchestral choruses is just masterful. It’s the kind of progression that knocks you off your seat if you let it. But what I love the most about this piece is its final verse, overflowing with hope and acceptance. It really lights a path toward a brighter horizon for anyone who might see themselves in Rockhoof’s story on this song.