With his newest track, Jyc Row actually moved away from Infinite Eclipse and gives us a sequel to two pieces he made back in 2017, mostly to test out a new VST he bought for himself, but nonetheless it still sounds amazing – so let me get straight into it! The piece starts out with epic choir chants that immediately bring you right into the epic feel of the track. Slow strings join in and start this apocalyptic end-of-times-like melody, mostly expressed by the chants, as the strings take a more supportive background role. After a bit we switch to more female chants that slowly ramp up into another section where we get strings, drums and a few other instruments, ramping up up bringing us back into the epic chants as everything rises and the chants hold a high note for a few seconds, only for the song to go completely quiet and end in a small string part.
Hearth’s Warming songs are always one of my favorite parts of the season and this one hits it out of the park! I’ve known about the making of this song for a while but everything I heard massively understated how awesome this is! Before the song itself starts we get a quick holiday skit, involving all the musicians, I won’t touch on that too much because this is about promoting the song, but let me tell you it’s hilarious and provides a good transition to the song itself.
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If you aren’t following Optimistic Neighsayer (and you should!), then you are missing out on all kinds of creative takes on G4 music! Their most recent hit is an imaginative mashup of the 20s classic Puttin’ on the Ritz and Season 1s At The Gala channeled solely through piano composition. The concept was born out of the popular music composition challenge DustCar under the prompt “Non-pony Pony Cover” and what an ingenious response this track was! Puttin’ on the Ritz at the Gala is a very bouncy, upbeat piano piece that jumps back and forth from tunes in a way that keeps the song exciting and fun.
Everypony who loves mares like I and BGM do, check this song out!! Such a wonderful fan song and gift for Hearth’s Warming! The ponies are singing to us! Rocking guitars along the voices of our beloved ponies, make us happy!! Let’s spend the holiday the brony way once again my brethren!
wall of text comment on the video for more details about how much I love this song if you want!
The second full-fledged alum that I hosted with my project Pony Family is out now, and this exclusive from Skyshard & Friends is just SO wholesome and like the kind of pony music we miss, I just had to have it as the opener!! I hope that you will enjoy this trip to Equestria! And do check out the rest of the album that is filled with pony emotions! Find it on Bandcamp here! Links to all the musicians who contributed in this song can be found in the description of the album on Bandcamp!
So you like Orchestral and are like me a sucker for great String sections? Well, do I have the song for you! You don’t? Well, then I still have the song for you! Inkblight is such a wonderfully epic and grandiose piece, and a must-listen! Marcato Sound wrote the song as part of a fanfic’s OST and oh my god, it is wonderful! We’ve got your epic intro with Strings, drums and more, quickly we get something that blew my mind, Marcato Sound uses a Cymbal to create what is best described as an orchestral riser, something I didn’t know was possible but certainly enjoy! We ramp up the epicness for a bit and soon some lovely woodwinds join in to create almost a magical feel to the piece. After a bit we ramp up again into a faster rhythm, again perfectly accented by the woodwinds and as we progress further through the piece, we ramp up even more with some horns, lending this feel of quick action. Before we get to the ending bit, we again get a calmer section, this time the melody is backed what I can only assume is a cembalo which is something we don’t get all too often and brings an amazing feel to the whole song before we end out on another epic fast paced section and a finishing bit of woodwinds.
(slight warning: if you are currently grieving, maybe skip this song until you’re feeling better)
This song starts out with just the wind, blowing through your ears as a low growl rises together with foreboding, dark bells as slowly a mournful string section starts playing. The strings continue on, slowly starting to sound hopeful and then dramatic again in a constant switch from one to the other. Towards the end dull and dark sounding drums set in, moving the whole song into this heavily tragic range as we end on the same dark bells we started on.
Thanks to theCANderson for proofreading!
With G5 here, who says we can’t have some fire remixes of old tunes! I love listening to new remixes of EQG: Rainbow Rocks music, and this one is great! We start by slowly fading in all the elements, something a lot of people do but that is hard to do well, and Kaida is one of the musicians who do it really well! As we get our first build up we move more into the electronic space as a drum build up takes over from the orchestral drums. Before we hit our drop we get a small part where the instrumental goes quiet for just a second so the vocals are highlighted, and then we move into this gem of a drop! The drop combines elements of both Orchestral and EDM making for a great combination that probably shouldn’t work but does! Afterwards we go back to more orchestral-leaning elements before moving into this awesome build up/drop combo! We end this masterpiece quite fittingly on the evil laugh, just like in the original!
Proofread by theCANderson, go show him some love!
Ok, so people who know me know that I am a sucker for two things in this world: EDM of the House/Bounce variety and Orchestral, and of the latter this is a perfect example of why I love the genre! “Dreaming” starts out with this wonderful arrangement of strings that perfectly captures this dramatic feeling. Soon the strings are joined by an electric guitar, giving a nice accent to the song. Every now and again we get a really high note on the strings that almost sounds like a cry for someone. Then a bit later on out of nowhere these heavenly choirs appear to bring joy to your ears! Near the ending we get more epic orchestral sounding string parts as the guitar leaves, leaving us with only the strings, something I love hearing that really accents this piece nicely. At the end the strings simply fade out.
I’ve often talked about how much I enjoy longer songs that don’t go out of their way to be some flashy firework, and this song embodies exactly that. It clocks in at a bit more than six minutes and stays very consistent throughout, which makes it a perfect song for a perma loop, having exactly the right amount of variation so that it doesn’t get boring!
Proofread by theCANderson, big thanks to him!