Yoooooooo my man this is the stuff you NEED to hear! My homeys Hollow & J. Free collabed for this dope track. Dope bars, awesome beat. VooDoo did awesome on this track and it truly completes the circle man. Outstanding work, I am truly amazed. You guys truly earned the title “Kantalot Killas” ‘cuz you guys killed it man. Keep up the awesome work! From one MC to another two, thank you for doing Hip-Hop right with this bros. And VooDoo, stay dope with the beats man you ROCK! everybody, show some love!
MC-Arch has always been very open about his emotions through his music and this track is no different. In The Bridge, he raps about how it is ok not to be ok and uses a new trap beat to get his point across. The song includes some awesome Fluttershy vocal chops as an accompaniment to Arch’s vocals which makes for an incredible counterpoint to the verses. The title is chosen amazingly too, as we are reminded of the importance not tp burning bridges, but gather up the strength and cross them instead.
DJT and R3CTIFIER always produce awesome stuff when they collaborate, though this one’s a bit different to their previous collaborations. Featuring some excellent rapping from N. Hollow, this trap tune packs a lot of a punch, with clean and aggressive sound design helping to showcase the desolate nature of the Fallout Equestria world.
PegasYs’ talent across all aspects of music production never fails to amaze me, so it’s no surprise that his latest P@D contribution is just as fantastic as always. The blend of trap elements and neuro basses, all applied into the double harmonic major scale to give it that Middle Eastern vibe is perfect. Pega’s actually about to start focusing more on his professional alias, Elysen, and you can find his new channel over here which will feature not just music, but tutorials and videos exploring music theory and other neat stuff. So thanks for the pony music Pega, it’s been a blast…
We’ve had a few remixes of the song from Tridashie’s mega-hit animation ‘Pony Girl’, but this one from the quickly-improving TPressleyJ is probably my favourite so far! It makes excellent use of the vocals in a minimalist atmosphere between the drops, which are full of some pretty awesome heavy hybrid trap sound design.
Just another cool remix of the cool song Flawless, this time Mantlegen kills the show with this amazing Trap remix, full of cool synths and cool drumming work. It is short, but I will promise that you will love it! Good job Mantlegen, keep up the good work!
Released as another super-hyped promo for the new Ponies @ Dawn compilation album, “Rebirth”, Moonbow is John Kenza‘s big addition to the colossal project. Well known for his vast array of top notch work, Kenza creates excellent vocal chops in combination with fun synth melodies and moving beat for an all-around enjoyable track. Themed after the princess of the night, you’ll want to be sure to check out this hit and don’t forget to download the new Ponies @ Dawn release it was written for this Friday!
With the newest Ponies at Dawn around the Corner, we enter the movement once again with a beautiful Melodic Trap made by Hydra. I don’t understand however how this Coffee is still Iced though, at least my coffee would be all warm since this beat is fire. ^^ the vocal chops are pretty cool. The synths and beat are smooth and slick and I just really enjoy the vibe it gives off – pretty mystical and hard as well. The build-up and everything around it is awesome. Keep it up Hydra, and congrats with getting on P@D ^^
Show some love everybody ❤
Remember that one episode when Celestia was telling Twilight about her suppressed feelings of sorrow about the Summer Sun Celebration and what it reminded her of? Well here’s a musical take on those dark feelings in Trap format, with JOSHH’s intricate and deep vibes much fitting to the theme, and even a vocal callback from the episode. Definitely a success, this track is another example of a pony concept brilliantly transcribed through music!
Passive Kindness sounds like the musical embodiment of Fluttershy’s “You’re going to love me” side from the S1 finale, with the heavy drops representing her unleashing her anger, and the Trap beat acting as a great accompaniment to her badapple look at that moment. There can definitely be many sides to a pony and even to kindness, as this song illustrates!