Did someone say mega collab? As the finale of his remix album “Everypony” L-Train tackled the Season 4 finishing song, and along the way he picked up a whole horn section! Featuring the likes of Dionte George, SaxPon3, Zephysonas and Tavern Cat Records, this track is a remix full of fun melodies, the fun vocals from the original and a whole lot of horns and hearts! L-Train has really mastered the sounds of Electro Swing, and who can say no to some amazing live instruments! This song is a massive bop and definitely does the original justice, go have listen and enjoy this combination of poppy vocals, upbeat electronic melodies and classical instruments!
L-Train – Everypony | Electro Swing
L-Train has dropped a new album, and its title track, “Everypony,” is a lovely fusion of Latin with the L-Train’s usual electro swing. The track begins softly, and as the Rarity vocal chop crescendos, the percussion builds to a thunderous roar! The main theme is a groovy blend of many instruments which drop out in the middle to allow the full Rarity sample from “Becoming Popular” to play. Towards the end, you’ll hear some of L-Train’s amazing finger picking skills with a solo. I’m sure “Everypony” will enjoy listening to it.
Awkward Marina – Anthropology (The Living Tombstone Remix) | Electro Swing
It is no mystery when the famous upbeat swing piano plays accompanied by the distinguishable ear candy vocals of Marina. Anthropology got renewed to celebrate its 10-year anniversary and The Living Tombstone bursted in along to remix it! With a 2D version of Marina dancing, TLT favors their music production style alike a swing band playing with lively electronic synths to fill up the ambience and jam the crowd! What a great time to relive and give tribute to the swing era and relive Lyra’s musical human obsession. Classic fandom songs don’t get old and to revivify the lyrics is no fake mythology. Join the crowd and rejuvenate your playlist with this remix.
Awkward Marina – Anthropology (Marina’s 10-year Anniversary Version) | Pop/Electro Swing
Wow – believe it or not, it’s already been ten years since Awkward Marina’s legendary “Anthropology” came out, and to this day it still receives a lot of love (perhaps most notably via the BlackIceMusic Remix)! To mark the occasion, we have a renewed anniversary edition courtesy of Awkward Marina herself – so let’s get into the awesomeness!
The first thing you’ll notice is that the song received a whole new instrumental; we now have an upbeat pop melody with – you guessed it – lyre, guitar parts and some horse contributions later in the song as well, all of which create a fun departure from the predominantly piano-focused instrumental of the original! You’ll also be able to spot some slight changes to the lyrics, most obviously the increase in girl power as the names of Barack Obama and Micheal Phelps are changed to Lauren Faust (the beloved creator of Gen 4) and Lady Gaga (one of Awkward Marina’s musical inspirations). Additionally, Awkward Marina put in a bit of a fourth wall break, replacing the line, “Maybe humans like us, too, and dress like us at Comic Con,” with, “Maybe humans like us and write us our own fandom songs.” There are even more fun details to discover, but I’m not going to spoil it all – you’ll have to listen to it yourself (available soon on Spotify as well)!
Before I close this, I want to give a special thanks to Awkward Marina herself for being a big help in writing this article by explaining some of the details – this couldn’t have worked without her! Last but not least, a big thanks to theCANderson for helping me write an article that does this amazing song justice!
Toby Macarony – Glitchy Vitchy | Jazz / Glitch-Hop
Toby’s got a bit of a reputation with his unique approach to music; transcending and blending genres is what he’s best known for in some circles and this song is no exception! What starts off sounding like a solemn bluesy jazz number quickly transforms into something energetic and spooky. It turns out shuffled walking basslines and punch “tombstone” drums make a great combination – who knew?
[P@D] L-Train, 4EverfreeBrony & Koa – Battle Royale | Electro Swing
Day and Night meet in an epic showdown! This culmination of “Daybreaker Boogie” and “Paint the Moon Red” is featured as track 7 on the new Ponies at Dawn album Zenith and boasts sassy, cleverly-written lyrics, funky instrumentals by L-Train, powerful vocals from 4EverfreeBrony and Koa (reprising their roles as Daybreaker and Nightmare Moon, respectively), and a groovy swing that you can’t help but dance (or at least bop your head along) to. Keep your ears open for a melodic callback to “Paint the Moon Red”, namedrops of the two previous P@D albums on which the aforementioned predecessor tracks were featured (Ignite and Eclipse), and even a SpongeBob SquarePants reference.
What happens when these two celestial rivals butt heads? Take a listen!
[P@D] L-Train – Books And Branches | Electro Swing
L-Train has recently made quite a splash in our community with his recent forays into electro swing, with many fun and colorful releases in this modernization of the swing genre. His newest track, “Books and Branches” comes to us hot off the press, courtesy of the newest Ponies at Dawn compilation album, “Aurora.” Making creative use of Twilight’s vocals from her “Morning in Ponyville” song from the season 3 finale, “Books and Branches” gets us up and moving to an upbeat melody, catchy chorus, bouncy bassline, and epic drum and guitar solos punctuated by lively horns and woodwinds. All in all, I think it’s safe to say that L-Train, this electro swing king has done it again with “Books and Branches” – a vibrant track that’s sure to make you feel that “Everything is certainly fine!”
L-Train – Unicorn Strut | Electro Swing
This song explains how to be a unicorn….in a funky way! L-Train has produced a lot of Electro Swing bangers lately, and this song is no exception! It uses vocal chops from the movie song “Fit Right in”, but it isn’t actually a remix–this is an original piece! The track starts out (as you might have expected) with a gorgeous melody, and then we quickly get the synth bass. As in L-Train’s last song, “Mi Amore”, the synth bass is very present in the track. After a bit of the amazing instrumental we get the first vocals, and at first the bass is the only thing accompanying them before other elements gradually join in. After concluding this part on some more of the amazing instrumental we come to my favourite part of the song: while the beat stays the same, we get a loop of the chops “a unicorn trots” and “our unicorn butts”, as the vocals move from one ear to the other. When they’re in the right ear, you hear “A unicorn trots”, and while they’re in your left ear you hear “our unicorn butts”. This is soon followed by an amazing guitar solo. We end on some more vocal parts followed closely by some more of the lovely instrumental.
This was proofread by theCANderson, big thanks to him!
[ASOS] SP1TF1R3 – Malicious Intent | Electro Swing / Bounce
ASOS: Eclair presents the little hellion and psychopath only known as Cozy Glow. Let me tell you, that’s the vibe you get from this dive into Electro Swing with some Melbourne bounce courtesy of SP1TF1R3. The vocal chops are only just the taste of this track. Give some props to SP1TF1R3 for trying a radio intro in his song. The beats and bumps of this track will have you swaying with a sick little smile as you hear Cozy’s sweet but little hellion-like laugh sound off in this track. But man, the composition is smooth, buzzing with melodies that take some inspiration from L-train work and blend it with some bounce! Holy crap is working with the energies of Cozy characters like a charm! A banger about Cozy Glow. I am sure a lot of her fans will be pleased with this gem. As always, this Qilin asks you to judge for yourself.
Wooshy – Fit Right In (Cover) | Orchestral / Electro Swing
Okay, this is cool. Wooshy (better known for making slick PMVs) has taken this great song and made it sound like it’s playing out of the orchestra pit at a Broadway adaptation of the film (please, oh please make this a reality). The video plays through the original song followed by the adaptation as it runs through the sheet music score, and it’s a great way to see how Wooshy constructed their version. The energy from this arrangement is so uplifting, and it’s great to hear all the supporting percussive instruments add their depth and nuance to this piece. Kudos to the artist–I am super thankful that they decided to follow their muse on this journey!