NB: This is an edited version of what was originally posted on Equestria Daily on 05 March 2017.
Flittzy’s What More Can I Say takes inspiration from Project Horizons, and tells a compelling story through his great voice combined with some nice acoustic guitar, pretty synthwork and complementary percussion.
NB: This is an edited version of what was originally posted on Equestria Daily on 05 March 2017.
Ataraxia takes a look at how Shining Armour might react to Cadence breaking up with him, with some awesome chill beats built around Vylet’s excellently performed vocals. The chorus is especially memorable, with a great flow to it.
Words truly cannot express what this track (and many of Jastrian’s works) made me feel, but I’ll still try and give the song justice even though I know it’s impossible. I think there’s something special about the way Jastrian compose his tracks, that makes them especially emotional. For example, that deep and powerful bass synth in the background of the lead melodies… it just works so perfectly, like that synth was alive, like it is the embodiment of powerful emotions in itself. There’s also a certain sensitivity when composing and arranging vocal chops, that can certainly be felt here, and that makes them have a powerful effect on the soul that I truly can’t describe with words – it has to be felt. Then there’s those amazing melodies, I would maybe call them “starry”, closest adjective I can find right now, but I think they’re something else. To me, at least. Something that can’t be felt elsewhere, a unique mood and trait. Not to mention so many of those distinct sounds and synths that Jastrian is using and that give the track such a unique sound and feeling. All in all, from all those things I tried to explain and much more there still is to the track, Celestial Endeavours happened to be an incredibly powerful emotional experience to me, something so powerful that I consider it “something else” or “divine”. And I can only hope that the “magic” could resonate with more of you. If not, I guess I’ll remain alone… But in any case, I hope you’ll like the track. It is for me an honor to be able to share it here on Horse Music Herald and to you all, and a blessing to be able to feel those otherworldly emotions. Thank you for reading, and thank you Jastrian for making that magic happen.
After their much welcomed return For Old Times’ Sake, Thyrai is now gracing us with a VIP of Praise the Moon (the original version is available for download in the description for those interested), and it is in a happy Progressive House instrumental that we partake in showing our appreciation to Luna and her beautiful Night once more, elated by uplifting synth melodies and beats. Here’s to Thyrai’s return!
Here comes one of my favorite releases!! For the third and final act of the story initiated with The Eternal Reign of King Sombra, Mane In Green composed a 18-minutes track!! For me who uses to listen to some 20-minutes Prog Rock tracks, this is a real delight (and it does have hints of Prog Rock, progression-wise but also musically at times). And For Equestria We Rise is not just long and progressive, it has its own storyline, too! And the music fits so well with it! You can get the details in the description, with timestamps for the different parts, and there’s additional lines appearing in the video, along very fitting artworks. Mane In Green truly went all-out for this final chapter, and the result is nothing short of breathtaking, combining the musician’s talents at both Orchestral and Rock music, with even powerful organs and choruses in some parts bringing even more epicness. A progressive masterpiece and fusion of genres, empowered by an inspired story and a wonderful heartfelt message at the end. Truly one of Mane In Green’s finest works, if not simply the artist’s biggest masterpiece. You definitely want to sub to Mane In Green for more amazing content, and also don’t forget to show your support to the artist for his work and feelings!
The composer of the OST of Pony Town himself, John Doe releases a new solo track, fitting very nicely as an accompaniment to the cover art just like an OST track would if this was a scene from a video game. The winds and piano are both doing a beautiful job at reflecting the serenity of the moment, and the track, almost as gentle as a lullaby, makes for a wonderful haven of sounds.
Much to our delight, NeoN has released another very lovely album, and this one is more on the heavy side. Tackling on the powerful Bass House genre after getting inspired from personal musical passion, the awesome musician unleashes a crazy dark bouncy mood along amazing sound design, with even Rainbow Dash keeping it loud. The rest of the album is sick as well, with every track proving to be quite the party material in its own way. I highly recommend grabbing it here! And you definitely want to sub to NeoN if you haven’t already, because you’re in for a wonderful ride!
NB: This was originally posted on Equestria Daily on 01 March 2017.
Ponytronic’s been around for a while, but I think this is probably one of the best pieces he’s come up with yet. Featuring some great fast-paced percussion and lovely pluck-y synths, there’s a terrific chill atmosphere built and maintained here. This piece is a part of his Missed Hearts LP, and focuses on the much loved TaviScratch pairing, most evidenced by some good use of vocals in the break during the middle of the track.
NB: This is an edited version of what was originally posted on Equestria Daily on 27 February 2017.
Spectra winds us down with a very pretty acoustic piece that definitely conveys the feeling of Applejack taking some time out. The chill vibes are apparent, and well worth giving a listen!
NB: This is an edited version of what was originally posted on Equestria Daily on 28 February 2017.
This piece is heavier, with Phonic throwing some pretty cool heavy drops together alongside great use of Pinkie Pie vocal samples throughout the piece that help to give it an interesting flavour.
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