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Dynamite Grizzly – Mad Mare Machines | Techno

Here’s a “euro-groove” from the one and only Grizzly (also congrats on hitting 1000 subs ayy). I admit I was totally expecting something in the way of “Yellow Line” from the producer as soon as I saw there was a racing episode, and while this track does opt for a more complex, chill approach, it’s still a nice retro tune for the techno fans.

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GhostXb – Trinity | Sci-Fi Orchestral/Symphonic Metal

Back with another amazing score, GhostXb has crafted a versatile and complex soundtrack for the Trinity series of artwork by Legacy 350. The composition combines electric guitar, hella sci-fi synth arpeggios, choirs, and other orchestral elements to create something really grand.

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Trixent – Twilight’s Sweepy Surprise | Drum & Bass

It’s not often we get to feature an artist’s first track, and it’s a pleasure to hear a really well-made first song too! This dnb piece has some neuro and hardcore influences and the bass used is particularly impressive stuff! Go check it out and show Trixent some love.

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Vylet Pony – 静けさ と 幸福 Tranquility & Happiness | Ambient Orchestral

Yet another release from his Japanese-infused Ramen House EP, Tranquility & Happiness brings just about what it says on the tin, with beautiful piano melodies accentuated by a combination of orchestral elements.

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Reverbrony – Black Rose | Progressive Metal

Something a little bit different from Reverbrony – this time utilising his own vocals, something of a rarity in his extensive body of work. Whilst it’s definitely not quite at the level of quality of some of the other vocalist he brings in for many of his projects, it has a lot of promise regardless and absolutely suits his signature brand of progressive metal.

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Synthis – Insane (Otarine Remixes) | House

Here’s a double feature from Otarine who has taken two different remix approaches to Synthis’ track “Insane” ft. Sora. This first one takes some inspiration from the tech house style predominantly heard in the hypnotic lead loop.

This second remix additionally employs a bright, house approach with the heavy use of detuned chords pumping over a steady beat.