NB: This was originally posted on Equestria Daily on 13 February 2017.
Flittzy takes us on a journey with his track from the latest Bronies For Good album, combining his upbeat vocals with the joyous nature of a bounce-y tropical-style instrumental. There’s some really nice synth design that complements the rest of the track very well.
These two make a great collaborative duo, their joint projects are fantastic dnb songs, and to have two artists that specialise in liquid work together is bound to ensure a solid track. Check it out for some nice smooth and chilled dnb.
NB: This was originally posted on Equestria Daily on 12 February 2017.
Midnight Musician’s taken the idea of a ‘cider party’ pretty literally! This track’s about a cider-filled event at Sweet Apple Acres and has some pretty solid low vocals building up to a big room drop carried by a synth sound that’s pretty characteristic of the genre. It’s a bit of a weird track, but there’s nothing wrong with the occasional track having a bit of character to it in my opinion, so check it out if you’re not averse to that!
NB: The following a press release from Bronies For Good. The full release can also be read at this link.
Today is Hearts and Hooves Day / Valentines Day. It is traditionally speaking, a day for lovers, but it has the potential to be more. On Saturday, Bronies for Good’s seventh charity album, A Change of Heart, was released. The project was the result of months of work from talented musicians artists and organizers, and the release party raised over a thousand dollars in just a few hours!
The release party was just the beginning. It’s an ongoing fundraising effort. When you donate, you can download A Change of Heart, and all of Bronies for Good’s previous albums! Donate here, and you’ll be able to download this album, (and all past albums as well). Continue reading
Hay’s original version of this came out several months ago, but it’s always nice to hear revamped versions of already stellar tracks. It doesn’t differ hugely from the original, but as Hay Tea puts it himself, ‘New drums, new bass, new mix and better mastering’. Higher quality sounds are always appreciated.
Phonic’s been experimenting a bit it seems – this chillout piece makes use of both ambient sound effects as part of the percussion and quirky wobbling bass sounds. An interesting hybrid of sounds that works surprisingly better than my less-than-apt description of them!
I never thought it possible to make electro house sound so chill, but Plexitofer does just that in this remix of Ponytronic’s Near Clear Skies (appropriate vibe for the song title, eh?). Nice clean drums and a great lead sound are what stand out in particular from this track for me.
This was a nice surprise to hear on Amity – not just the fact that Silva Hound got involved with Ponies At Dawn, but released a future bass track for the first time in years. This remix of Peppermint, from the previous P@D album, keeps the uplifting futurey feel of the original, but sits at the more trap-influenced end of the future bass spectrum, with those classic 808 kicks and snares.
Empowered by some amazing inspirations, Filly in the Box continues to delight and impress with those masterfully crafted pieces of original music full of rare sounds. Pioneering in sound design and embracing all the darker musical moods, The Fabric also makes awesome use of pony vocal samples. Definitely a feast everytime!
An awesome introduction to those musical genres if you’re not familiar with them, this remix of Ponytronic’s Near Clear Skies from Jalmaan delights with uplifting vibes and a masterful progression full of that enthralling rythm, spacey melodies, and vocals that just make you feel good. A very enjoyable experience!
Horse Music Herald 